Event: Julie Wilson appears at Toronto Public Library to discuss Seen Reading

Julie Wilson’s Seen Reading: Tales of a Literary Voyeur
Thurs. Oct 04, 2012
6:30 p.m.-7:30 p.m.
60 mins
Spadina Road
branch of Toronto Public Library

I’ll be joined by Julie Booker, author of Up, Up, Up (House of Anansi Press).

From the event listing: Julie Wilson’s compulsion to observe people reading on streetcars and subways led to Seen Reading, a collection of microfictions based on these sightings. Who is the reader and what does a book tell us about him or her? Wilson and Julie Booker, author of Up, Up, Up, offer answers to those questions.

Jaime Woo on the Development of His Self-Published Book Gaming Grindr

Jaime Woo is the co-founder and co-organizer of Gamercamp, an annual festival in Toronto celebrating the art, playfulness, and creativity of games.

Woo has been featured on, in, or at CBC Radio, InnerSPACE, Electric Playground, The Financial Post, The Globe and Mail, Metro, xtra!, Fab, and The A.V. Club.

Jaime is in the process of self-publishing a book, Gaming Grindr, and has successfully surpassed his Indiegogo fundraising goal.

With over 4 million users worldwide, Grindr, a queer cruising app first launched in 2009, is the largest all-male location-based social network.

With approximately 10,000 new users downloading the app every day, Woo, a technology journalist, asks: “Is Grindr a game?” Gaming Grindr explores the rules, how users “win,” and how to play better.

Take a look at his campaign video.

And here’s our chat about why he’s writing the book, and why he chose self-publishing over the traditional model.

Jaime Woo of Gamercamp on the Function of Play

Jaime Woo is the co-founder and co-organizer of Gamercamp, an annual festival in Toronto celebrating the art, playfulness, and creativity of games.

Woo has been featured on, in, or at CBC Radio, InnerSPACE, Electric Playground, The Financial Post, The Globe and Mail, Metroxtra!, Fab, and The A.V. Club.

I’ve been interested of late in the role of games and play in our daily lives, as well as how to arrive at a shared language between youth and adults in conversations of appropriate use and moderation. Woo makes the point that it’s because we believe games don’t offer a productive goal that we’re quick to call a child “addicted” to play. Woo encourages us to look closer at games for evidence of skill-building, and offers a few suggestions for games and books to encourage your child/teen toward design.

Enjoy our chat!

Lindsay Zier-Vogel Talks to Julie Wilson about The Love Lettering Project

If you’ve been near a newspaper, magazine, radio, or television in the past few weeks, you’ve by now heard of Lindsay Zier-Vogel, creator of The Love Lettering Project, a community arts endeavour that encourages the people of Toronto to write love letters to the things, people, and places they adore.

Lindsay’s enthusiasm is infectious, so I asked her to join me in a (very) early morning coffee chat via Skype, recorded Friday, August 17, 2012. I was in my home. Lindsay was in hers. And I asked her the one burning question on everyone’s mind: Is she really that happy?

For this and more . . . watch the video below. (And many thanks to Lindsay for the great conversation, and to The Awesome Foundation for tossing some cash at this great contribution to Toronto culture and pride.)

From The Love Lettering Project:

Write love to what you love.

The Love Lettering Project is a community arts project bringing love letters to strangers.

The Love Lettering Project focuses on the joy and goodness of the world we live in, without requiring anything back from the recipient. It gets people talking about their city and the stories of their days. In this, The Love Lettering Project is participatory and has the ability to transform a familiar landscape too easy to take for granted.

For eight years, writer and artist Lindsay Zier-Vogel has been writing love poems for The Love Lettering Project, turning them into one-of-a-kind paper and thread collages, slipping them into airmail envelopes marked “love,” and distributing them anonymously — tucking them in bicycle spokes, bushes and letter boxes, leaving them on doorsteps, window ledges and café tables, hiding them in the pages of books in libraries around the city to be discovered later by strangers.

In 2012, it’s your chance to join in on the love lettering. Lindsay will be set up at events all over the city during the summer of 2012. You can write a love note to something you love about the city, slip it into an airmail envelope, then leave it for a stranger to stumble upon! Find out where you can make your love letter here!

Heather Jessup on the Avro Arrow, the inspiration for her debut novel

Heather Jessup, author of The Lightning Field (Gaspereau Press, 2012).Heather Jessup teaches at Dalhousie University in the English Department where she took some time out to Skype with me about her novel The Lightning Field (Gaspereau Press, 2012).

Since the book’s release, Jessup has been shortlisted for the Thomas Head Raddall Atlantic Fiction Award and the John and Margaret Savage First Book Award.

About the book:
The Lightning Field, by Heather Jessup (Gaspereau Press, 2012).
Set against the backdrop of Cold War Toronto, The Lightning Field follows the lives of Peter and Lucy Jacobs from their post-war courtship through marriage and child-rearing in the suburbs. Though spanning four decades, the book pivots on the events of a single day: October 4, 1957. On this day, the Russians launch Sputnik into orbit, the Avro Arrow—the most advanced jet plane of its time, whose wings Peter Jacobs has engineered—rolls out onto the tarmac to great ceremony, and, in a nearby field, Lucy Jacobs is struck by lightning on her way to the event.

The Globe and Mail calls The Lightning Field, “Jessup’s homage to a dream, to the knockout movie playing in her mind.”

Enjoy our chat. (I did!)

Topics include: Jessup’s own family connection to the Avro Arrow; life in the 50s and 60s; the wingspan of my hair flips; and, a guest appearance by my cat, Oscar.

Heather Jessup: website | Twitter

Upcoming appearances:

An Evening with the Thomas H. Raddall Atlantic Fiction Prize Nominees David Adams Richards, Valerie Compton and Heather Jessup
Date: Wednesday, September 12, 2012
Time: 7:30 PM-9:00 PM
Location: The Black Box Theatre—Sir James Dunn Hall, Fredericton, NB, Canada

Date: Thursday, October 11, 2012
Location: Lane’s Privateer Inn—Liverpool, NS, Canada

Thomas Head Raddall Atlantic Fiction AwardDate: Friday, October 12, 2012
Location: Maritime Conservatory of Performing Arts—Halifax, NS, Canada

Gaspereau Press Wayzegoose
Date: Saturday, October 20, 2012
Location: Kentville, NS, Canada

Podcast: Nora Young on the Digital and the Sacred (two parts)

Nora Young, host of CBC's Spark, and author of The Virtual Self (McClelland & Stewart).The act of protecting something that doesn’t involve performance or recording is really important.”

Nora Young is a writer-broadcaster, producer, and documentary-maker. She was the founding host and producer of “Definitely Not the Opera” and currently hosts CBC’s national radio show “Spark.” She is fascinated with the intersection of technology and culture: how changing technology affects the way we see ourselves, and each other.

Follow Nora Young: NoraYoung.ca | @nora3000 | Spark | The Sniffer

The Virtual Self, by Nora Young (McClleland & Stewart).Young has written an incredible book that’s right up my alley, called The Virtual Self: How Our Digital Lives Are Altering the World Around Us (McClelland & Stewart). In it, she explores the impact of data mapping/self-tracking/life-caching—the virtual information we generate about ourselves, our own lives, our communities, and our government. Where we go, what we do, how we feel. The book then looks at the challenges around how we share that data—from Facebook status updates to Google Navigator—with an eye turned toward how we might build more responsive communities and governments. And while some would say that the privacy wars are over—and that we’ve lost—Young argues that the technologies and conversations are still in their early days, and that it’s citizens, not technocrats, who should lead the next leg of discussions over how and when our data is used.

Podcast, part one: (originally appeared at 49thShelf.com)

The impulse to self-track is not a new one. But with the advent of digital technologies—cheap devices, open-ended storage space and the ability to widely share our data—it would appear as if the digital realm has taken over. But Nora Young argues that there’s still a lot of ground to cover if we’re to take our banal and trivial information and translate it into creating better communities. She’s optimistic.

Nora and I chat/muse about the following:

  • the difference between self-tracking (personal accounting) and self-scrutiny (personal reflection)
  • working with data for purposes beyond target marketing
  • how the fringe activity of life-caching has become an almost unconscious daily activity
  • the development of critically-minded tools
  • how trivial information can be intelligently shared
  • how tools create opportunities for us to reground ourselves in the physical realm


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Podcast, part two: (Young agrees to chat longer and we get a little philosophical.)

On an app or program that changed the way she looked at data: “If [Rescue Time] knows all this stuff about my computer use, then digital changes things in more ways than just making it easy for us to capture and store [data], it’s inherent in the nature of using devices that they know, in quotation marks, how they’re being used. . . . But it also has this curiously objectifying character where you start to feel a little bit like a hamster on a wheel, measuring up to some sort of performance metric that you set for yourself, which somehow felt a little bit more driven than just having goals, it felt more submissive in some way. So for all those reasons, I think that [realization] was a watershed moment for me.”

On the usefulness of social data: “Even though Twitter is—at least, at this point—wildly unrepresentative of the population as a whole, it still serves a valuable role in terms of distributing information quickly and giving us rough-and-ready tools for quick information gathering.”

On the potential for data to to affect personal growth: “I think this is important, not being punitive about [collecting data], not being so performance-oriented, but saying, ‘I’m going to use this as an exercise in insight, I’m just going to see what emerges from the data and what that can tell me about who I am.’ I think we so often approach these things in a gold star performative kind of way, but I think it’s just from disinterestedingly collecting and looking at the data that what you might want to change about your life emerges.”

On digital text and the ability to engage with other readers via social reading apps: “I’m very connected to the solitary experience of reading. I think we have to ask ourselves, ‘Are we doing these things because the technology is good at it, or because we really want to do it?’ It’s worth asking the question. What I do know is that the more deeply connected we become to our digital technologies, the more unusual it feels to be without them.”

On tuning out: “There’s a space for the spiritual that needs to be protected, and for that grounded space of really just listening to your body. . . . I’m not sure that we’re always going to be able to do that, actually. . . . Maybe it’s too early to say. Are we in this shock mode, the equivalent of right after the Gutenberg Revolution where everyone was going kablooie, everything that we knew about how we’re organizing things has changed, and that we’ll recover and say, ‘OK, remember that time in the early twenty-teens when everyone was monitoring and tracking everything?’ Will we recover from that? I don’t know.”


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People Have to Work to Love Their Children: Katrina Onstad (podcast)

“It happens all the time. People have to work to love their children. I think it’s a myth that it’s always immediate.”—Katrina Onstad on her latest novel, Everybody Has Everything

Everybody Has Everything, by Katrina OnstadElevator pitch: An urban couple, Ana and James, who do not have children of their own (for reasons revealed in the book’s opening), become the guardians of a two-year-old boy, Finn, in the aftermath of an accident, in which one of Finn’s parents dies and the other remains in a coma.

The crisis reveals cracks in the intimate relationship between Ana and James, and confronts themes of loss, doubt, and questions of longing, while exploring commentary around notions of modern/flexible parenting, nature vs. nurture, the struggle for some to feel the care they offer their loved ones, and the author’s own “generational obsessions” with what people do to fill the holes of absent parents, having herself grown up in the divorce generation of the 70s.

Onstad’s novel is ultimately a story about fulfillment, wholeness, and the illusion we’re told to strive for along the path of middle class acquisition—job, partner, children—that everybody can have everything. (You may have seen this response in The Atlantic to Anne-Marie Slaughter’s piece, “Why Women Still Can’t Have it All.” If so, you’ll particularly enjoy my chat with Onstad.)

I met with Onstad in the downtown Toronto offices of McClelland & Stewart Doubleday Canada Publishing Group. When I arrived, Onstad was already waiting in the lobby. I noted her book perched at reception alongside a children’s picture book. “Can you imagine Everybody Has Everything as a board book?”

We went from there . . .

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Katrina Onstad, author of Everybody Has EverythingAbout Katrina Onstad: Onstad’s second novel, Everybody Has Everything, came out in Canada in May, 2012 (McClelland & Stewart) and will be released by Grand Central in the US in 2013. Her first novel, How Happy to Be, was met with critical acclaim in 2006.

Katrina is also a freelance writer whose work on culture high and low appears in publications including The New York Times Magazine, The Guardian, and Elle. Katrina has a column in the “Saturday Style” section of the national paper The Globe and Mail and is a regular contributor to Toronto Life magazine. At CBC.ca, she was head film critic and an on-line arts producer.

Born and raised in Vancouver, B.C., Katrina has an English degree from McGill and a Master’s from University of Toronto. She lives in Toronto with her family.

Librarian Scott Robins on How to Pick the Best Comics for Your Kids

“Children are made readers on the laps of their parents.”—Emilie Buchwald

Scott Robins is the co-author (with Snow Wildsmith) of A Parent’s Guide to the Best Kids’ Comics: Choosing Titles Your Children Will Love (Krause Publications Bookstore). It’s a great primer for those who are new to graphic novels and comics, of all ages.

With a Foreword by Jeff Smith and Vijaya Iyer, of the award winning Bone series, in this guide, Robins and Wildsmith share their knowledge of children’s literature to recommend and review 100 age appropriate books (plus an additional 750 recommendations) for the children in your world.

The guide should easily appeal to caregivers, educators, librarians, youth, booksellers, event coordinators, and other creators.

I expect I’ll be paying a visit to Little Island Comics as soon as I’ve completed my own shopping list. (And, by that, I mean for me!)

Scott Robins and I chatted last week in the new event space above Glad Day Bookshop, where Robins is part owner. He’s also everything else under the sun: a librarian at Toronto Public Library and a past juror for the Joe Shuster Award. He also oversees the children’s programming for the annual Toronto Comic Arts Festival.

In this podcast, we talk about:

  • the process of selecting the 100 titles profiled in A Parent’s Guide to the Best Kids’ Comics
  • the key ingredients of a good children’s comic or graphic novel and how to write for children
  • the sequential appeal of comics to young readers
  • how comics are akin to soap operas and sitcoms in structure and arc
  • how series reading has impacted the adult trade market (Charlaine Harris and J.K. Rowling)
  • how weekly comics are the Harlequin model for young readers (OK, maybe I said that.)
  • the new comic reader vs the traditional comic reader
  • the comparison to Japan’s comic and graphic novels industry
  • Robins’ thoughts on the most successful long run series (Hint: It features one of the most torrid love triangles EVER!)
  • Robins’ pick for a new series to watch out for (Hint: She’s a three-time winner of the The John Newbery Medal, a literary award given by the Association for Library Service to Children.)

NOTE: We recorded this during the recent heatwave, after I made the inspired decision to ride my bike 15 kms to the storefront. That occasional bit of wind you hear is me wagging my tongue in an oscillating fan. Enjoy!

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Follow Scott Robins on Twitter: @scout101. Read his blog, “Good Comics for Kids,” at School Library Journal.

A manual in how to daydream. Cityline profiles Seen Reading.

This is one of my favourite interviews to date, courtesy of Cityline.

Suzanne Gardner, the article’s writer, is an inquisitive woman, very familiar with Seen Reading’s routes as an online project. She’s also worked in publishing, and has a keen understanding of the challenges publishers and authors face once their book is out in the wild, possibly never to be heard from again. Or seen.

Thanks for a great chat, Suzanne!

From “She’ll Be Seeing You: Julie Wilson Catalogues Readers and Stories In Seen Reading”:

Wilson thinks that the stories in the collection relay a tone of transience, as she tried to pick pieces that spoke most to this idea of motion and that the reader has “been dropped into something that was neither a beginning, a middle or an end of a larger story,” explains Wilson. “In that sense, it can be used as a manual. If you’re a writer and you want to tack on the beginning of the story, tack on the end of the story. If you’re a reader, same deal. If this reminds you of something, you tell the rest of the story. It’s a manual in how to daydream.”

Praguers are the most circumspect of city dwellers

Thank you to Sean Dixon for pointing this out to me on Twitter.

Author John Banville.“Praguers are the most circumspect of city dwellers. Travellers on trams and in the metro carefully remove the dust jackets of books, no matter how innocuous, that they have brought to read on the journey; some will even make brown-paper covers to hide the titles of paperbacks. Understandable, of course in a city for so long full of informers, and old habits die hard.”

— John Banville, Prague Pictures 2003

Listen to an excerpt from Prague Pictures at Radio.cz.